Netflix Commercial How Mark Wahlberg and Winston Duke Shot the Craziest Scene in Spenser Confidential 2025

VIDEO Netflix How Mark Wahlberg and Winston Duke Shot the Craziest Scene in Spenser Confidential TV commercial 2020 • Mark Wahlberg and Winston Duke break down the craziest fight scene in Spenser Confidential. Netflix is the world's leading streaming entertainment service with over 167 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments. 00:00 Hey, I'm Mark Wahlberg. 00:01 And I'm Winston Duke. 00:02 We are gonna take you through a scene 00:03 in Spenser Confidential. 00:05 Shot by shot. 00:29 Here we are, going to my favorite restaurant. 00:32 My character's just out of prison and he hasn't... 00:34 he took me to a, like a, health food restaurant 00:37 trying to get me to eat some soy shit. 00:39 And he was not with it at all. 00:40 Yeah, my character wasn't eating it, 00:41 so I'm gonna try to go for 00:42 some real good, ol’ Boston Mexican food, 00:44 even though I've never seen a Mexican restaurant in Boston. 00:49 This was in Quincy, Mass, 00:51 right on Furnace Brook Parkway. 00:54 I drove by that place many, many times 00:57 for years and years and years. 00:58 But I am very familiar with the people working here, 01:00 and slowly, but surely 01:02 we are going to realize that we're being followed 01:05 by some very dangerous individuals. 01:07 Yeah, you know what I need, four burritos. 01:09 Four burritos. 01:10 Carne asada, 01:11 - and a pollo. - Carne asada. 01:13 Puerco and you know what, chorizo. 01:15 Chorizo. 01:18 That guy right there, is an amazing stuntman. 01:20 I worked with him in Planet of the Apes. 01:21 I am very familiar with the stuntmen 01:23 who worked on this movie. 01:25 We’ve done multiple movies together 01:27 starting with Lone Survivor. 01:28 Oh, and there’s this guy listening to music. 01:30 Are you really listening to music, 01:31 - what are you doing? - I had nothing 01:32 - in my ear. - What kind of acting 01:33 - technique are you using? - They were actually telling 01:34 me to like just make up and do it slow, so they could add 01:37 - any kind of music. - Okay, here comes 01:39 the dangerous individual. 01:42 - Wife is good? - Yeah. 01:43 What about a, quesadilla? 01:47 Oh, if you want quesadilla, 01:49 just gotta wait on the tortilla. 01:53 Quesadilla. 01:58 Oh, my wife, Julia. 01:59 Oh, she's so great. 02:09 Wow, the tension is building. 02:12 Oh, I notice a weapon on his hip. 02:13 - And here comes one more guy. - What's that weapon? 02:15 Now look at the reflection, look at the reflection. 02:17 - Here comes the duck! - Machete. 02:18 Boom! 02:18 That was a real punch. 02:19 That one's a fake block. 02:21 He stabs his own guy. 02:22 Flip over the counter. 02:23 Oh, I’m about to stab this guy. 02:25 Oh yeah, take that in the leg. 02:26 Look at that! Rip him off. Snap. 02:29 I’m about to hit this guy with everything I can grab. 02:31 Food, cups, mugs. 02:32 - Take that! - Boom. Throw him through it. 02:34 And there's my partner, still listening to music. 02:36 Why does Winston 02:36 get to sit in the car 02:37 and I gotta do all this fighting? 02:38 Why don't I sit in the car? 02:40 Yeah, that was really my thing. 02:42 I would wonder, those were 02:43 - some of the thoughts - That wasn't a 02:44 - stunt double napping. - going through my head. 02:45 We didn't really rehearse this scene at all, 02:47 we kinda went in, it was pre-choreographed, 02:50 and then we were actually shooting in pieces. 02:52 So, we would kind of just show me 02:54 in the morning what the scene looked like, 02:57 and then we’d get all these guys, 02:58 and we’d go at it. 03:00 We shot this scene pretty much in a day 03:02 at the actual restaurant. 03:04 And then we had an interior built 03:06 on a soundstage where we picked up little pieces 03:08 and some inserts and stuff like that. 03:21 And where is my partner in crime? 03:23 - They've got me now. - And boom! 03:24 - Oh, finally, he shows up. - Here comes Hawk, 03:26 - busting through the window. - Oh, but 03:28 I tell you what, that's not good. 03:29 I did not drive the car through 03:32 You didn't? 03:32 the, I didn't do the driving through. 03:33 - Oh, boo. - That was a stunt double. 03:35 To make sure that everything was safe, 03:38 and then I got in the car and did the acting. 03:40 Yo, get in. 03:44 Now all I’m worried about, is the car. 03:48 Shit! 03:51 You're in big trouble. 03:52 For what? 03:53 You smashed the Riviera into a restaurant! 03:55 - Get the fuck in the car! - I’m telling Henry 03:56 you were driving the car. 03:59 Was that really your foot during that insert? 04:01 That was my foot. 04:02 That was my real foot. 04:03 That's when you know an actor is committed 04:04 when he is actually doing the foot 04:05 in inserts. 04:06 When I’m doing my own foot inserts, 04:08 that's how you know it's real. 04:09 But, the drive off and everything, was real. 04:12 I did all that driving, coming out.- advertisement spot 2020