video Picturehouse David Lynch's Dream Theatre | Inland Empire & 8½ Advert 2025 • David Lynch's Dream Theatre | Inland Empire & 8½
As we reach the final feature film of Lynch's five-decade career, we meet the already experimental and nonlinear director at his most experimental and nonlinear. 2007's Inland Empire is a proto-algorithmic examination of performance and reality, told through the eyes of Laura Dern who embodies an actress losing touch with reality as she goes deeper into her character. The film's form functions just as Dern does, never making clear which plane of reality we're operating in and becoming all the more impactful for it, as we descend deeper into one woman's nightmare.
It's in films like Inland Empire that comparisons between Lynch and the great Italian experimentalist Federico Fellini are most aptly drawn. In his book Catching the Big Fish, Lynch names Fellini's 8 1/2 as one of four perfect examples of filmmaking. "Fellini manages to accomplish with film what mostly abstract painters do — namely, to communicate an emotion without ever saying or showing anything in a direct manner, without ever explaining anything, just by a sort of sheer magic."
This too is the magic of Inland Empire, presenting a series of sounds and images that by themselves could be taken as innocuous, but together create something all-consuming, and something that's felt before it's understood. Both staged around a movie set, and both retreating into a world of total fantasy: a better double bill concerning film's power to channel the unintelligible could scarcely be imagined. - Picturehouse advertsiment spot 2025
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