If there were to be any director to crop up twice in this line-up of double bills, it could only be Hitchcock. Despite being every part a Lynchian take on a neo-noir, 1997's Lost Highway bears an uncanny resemblance to a Hitchcockian mystery: mysterious blondes, macabre presences (The Mystery Man!) and MacGuffins aplenty. Lynch described the film as a "psychogenic fugue"; an amnesiac's journey into solving a crime of intrusion.
Time and identity fracture in Lost Highway in a way that feels most reminiscent of Hitchcock's Vertigo, his own most experimental foray into filmmaking. Both films disrupt linearity by repeating events and fragmenting identities of multiple characters - including our protagonists - mimicking the way the brain tends to obfuscate around trauma. Traversing a long, winding road in pursuit of one man's ideal, whilst both endings might feel fruitless in that regard, both have a great deal more to say about all the things we do to cope with tragedy and the unknown. "It's been a pleasure talking to you…" - Picturehouse advertsiment spot 2025
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Notes for Picturehouse David Lynch's Dream Theatre | Lost Highway & Vertigo
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